20 de janeiro de 2013

Josh Homme - Nobody to Love

It's Sunday end afternoon, I was chilling out in the house watching End of Watch, a hard cop movie. The movie has a good pace, with well built characters, the type that you easily built a bound with them. I was satisfied with the movie, and at the end of the movie I had a nice surprise, a Josh Homme tune, fuck yeah!

The tune is not bad, it sounds better in the end of the movie, specially if it is the first time you are watching, but still is a Josh Homme tune so... 



The Tune for Today is: 

End of Watch OST - Nobody to Love



Empty eyes
Because of you
Empty space

Empty share
That's why I am
An empty face

There's nobody to love
No pill gonna kill my ill
There's nobody to love
No pill gonna kill my ill
There's nobody to love
There's nobody, nowhere
There's nobody to love

Sailing through
The dangers of a smile
Navigate by starlight 
For movin' single file

There's nobody to love
No pill gonna kill my ill
There's nobody to love
No pill gonna kill my ill
There's nobody to love
There's nobody, nowhere
There's nobody to love

Confusion is something I can't understand
Dancing alone, a life line in your hands
Convergently, edgily, desperately
Wandering home
Wandering home

There's nobody to love
There's nobody to love

Review by Brandy Cordova (hollywoodmusicmagazine)

Relativity Music Group released the official soundtrack album for the action thriller ‘End of Watch’, which features selections from the original score composed by David Sardy (Zombieland, 21), as well as one track each by Public Enemy (“Harder Than You Think”), The Delfonics (“Hey! Love”), and Latin Rascals (“Lisa’s Coming”).
Pulled from their 2007 20th-anniversary album, How You Sell Soul to a Soulless People Who Sold Their Soul?, Public Enemy’s “Harder Than You Think” starts off the ‘End of Watch’ soundtrack with a fun, upbeat tempo and sets the scene for the coming suspense. Then David Sardy’s musical talent takes over and the suspense builds with “I Am The Police” and “My Evil Is Big”. “Hey! Love” by The Delfonics then changes the tone and mood and sets a sultry mood, which is then taken back over by the rising suspense that is heard in “Follow Me Into The House”, and exemplified in “Heroes”.
“Hold The Baby/You Can’t Live Without Her” lowers the suspense and creates a great transition into the funky “Lisa’s Coming” by the Latin Rascals. The suspense dies with “Take Care of Janet” and is replaced with softer a sound, but deeper feel, which is given more energy in “Minivan Tail”, then taken to the heights in “Alley Escape”. By this point in the soundtrack, you can feel the pulse of the movie and the suspense of trying to escape out of an alley with each rise in crescendo. Once “Funeral” begins, your heart begins to slow pace from the excitement felt and heard in the previous track.
The ‘End of Watch’ soundtrack is definitely a gritty, very suspenseful tale of two L.A. police officers being hunted by drug cartel. David Sardy has done a wonderful job at building a masterpiece with unmistakable sound.

Well Let's take a look at the trailer (portuguese joke):



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