Josh Homme - Nobody to Love

It's Sunday end afternoon, I was chilling out in the house watching End of Watch, a hard cop movie. The movie has a good pace, with well built characters, the type that you easily built a bound with them. I was satisfied with the movie, and at the end of the movie I had a nice surprise, a Josh Homme tune, fuck yeah!

The tune is not bad, it sounds better in the end of the movie, specially if it is the first time you are watching, but still is a Josh Homme tune so... 

The Tune for Today is: 

End of Watch OST - Nobody to Love

Empty eyes
Because of you
Empty space

Empty share
That's why I am
An empty face

There's nobody to love
No pill gonna kill my ill
There's nobody to love
No pill gonna kill my ill
There's nobody to love
There's nobody, nowhere
There's nobody to love

Sailing through
The dangers of a smile
Navigate by starlight 
For movin' single file

There's nobody to love
No pill gonna kill my ill
There's nobody to love
No pill gonna kill my ill
There's nobody to love
There's nobody, nowhere
There's nobody to love

Confusion is something I can't understand
Dancing alone, a life line in your hands
Convergently, edgily, desperately
Wandering home
Wandering home

There's nobody to love
There's nobody to love

Review by Brandy Cordova (hollywoodmusicmagazine)

Relativity Music Group released the official soundtrack album for the action thriller ‘End of Watch’, which features selections from the original score composed by David Sardy (Zombieland, 21), as well as one track each by Public Enemy (“Harder Than You Think”), The Delfonics (“Hey! Love”), and Latin Rascals (“Lisa’s Coming”).

Pulled from their 2007 20^th-anniversary album, ‘How You Sell Soul to a Soulless People Who Sold Their Soul?’, Public Enemy’s “Harder Than You Think” starts off the ‘End of Watch’ soundtrack with a fun, upbeat tempo and sets the scene for the coming suspense. Then David Sardy’s musical talent takes over and the suspense builds with “I Am The Police” and “My Evil Is Big”. “Hey! Love” by The Delfonics then changes the tone and mood and sets a sultry mood, which is then taken back over by the rising suspense that is heard in “Follow Me Into The House”, and exemplified in “Heroes”.

“Hold The Baby/You Can’t Live Without Her” lowers the suspense and creates a great transition into the funky “Lisa’s Coming” by the Latin Rascals. The suspense dies with “Take Care of Janet” and is replaced with softer a sound, but deeper feel, which is given more energy in “Minivan Tail”, then taken to the heights in “Alley Escape”. By this point in the soundtrack, you can feel the pulse of the movie and the suspense of trying to escape out of an alley with each rise in crescendo. Once “Funeral” begins, your heart begins to slow pace from the excitement felt and heard in the previous track.

The ‘End of Watch’ soundtrack is definitely a gritty, very suspenseful tale of two L.A. police officers being hunted by drug cartel. David Sardy has done a wonderful job at building a masterpiece with unmistakable sound.

Tune the OST here (via grooveshark)

Tune the Chosen Tune playlist (via youtube)

Well Let's take a look at the trailer (portuguese joke):

The Muppets [Original Soundtrack]

For the 2011 film The Muppets, our fine felted friends partnered with Disney, raising the question of and hope that the collaboration would usher in a new era of Muppets mania and a creative renaissance for the franchise. Arriving a few months ahead of the flick,Muppets: The Green Album rounded up alt-pop/rock hitmakers of the day to put a fresh spin on the Muppets songbook, offering mixed results and more queries about whether the gang could recapture the magic of decades past. Happily, the soundtrack to The Muppetsthoughtfully blends reimagined classics with new tunes (and Muppet performances with live action singing, plus dialogue bits from the movie and a couple of classic non-Muppet radio hits), effectively reinvigorating the franchise for established fans and younger audiences alike. Much of the success of The Muppets' soundtrack can be attributed to Bret McKenzie, half of the musical comedy duo Flight of the Conchords, who penned the lion’s share of the new compositions, skillfully interpreting the irreverence and emotional range that make theMuppets music of yore so enduring. He sets the stage with the buoyant, soaring opening and closing number “Life’s a Happy Song,” introducing listeners to Muppets fans Mary (Amy Adams) and Gary (Jason Segel), who travel to Los Angeles to try helping the troupe save their theater from oil tycoon Tex Richman (Chris Cooper). Alongside the track’s guest performers Mickey Rooney and Feist, Adams is charming and whimsical, recalling her star turn in Disney fairy tale musical Enchanted, and Segel is unabashedly enthusiastic (befitting considering his role as composer of a puppet-driven musical in Forgetting Sarah Marshall).McKenzie also shines on “Me Party,” a get-her-groove-back disco anthem in which Adamsand (naturally!) Miss Piggy proclaim “one is the new two,” and the moving Segel-centric tune “Man or Muppet”. Similarly rewarding is new piece “Pictures in My Head”, by Disney hitmakers Jeannie Lurie, Aris Archontis and Chen Neeman, finding Kermit the Frog reflecting on the state of affairs (“My green is feelin’ gray/Sometimes even frogs have rainy days”) in a ballad worthy to stand alongside “It’s Not Easy Bein’ Green” and “I’m Going to Go Back There Someday.” The other factor that makes The Muppets such a treat is its ability to pack in tons of surprises without sacrificing narrative flow: eccentric indie singer/songwriter Joanna Newsom’s divisively Muppet-esque vocals are right at home in a new recording of The Muppet Show theme; rough-edged Cooper plays a Yosemite Sam-Cowboy Troy hybrid on the swaggering, goofy rap “Let’s Talk About Me”; Green Albumfavorite Andrew Bird returns with another carefree whistling session on “The Whistling Caruso”; and Muppet-ized takes on contemporary classics “Smells Like Teen Spirit” and “Forget You” are perfectly absurd but would make their original performers proud (and not make parents blush). In just 40 minutes, The Muppets offers all the silliness and sentimentality longtime fans have loved and new audiences will embrace, as smart as it is surprising. - Review written by Chrysta Cherrie

The Today Chosen Tune is:

Click Here to listen the album

Drive OST - Cliff Martinez

The soundtrack for Danish crime thriller Drive, composed and compiled by ex-Red Hot Chili Peppers and Captain Beefheart drummer Cliff Martinez (Sex, Lies & Videotape, Solaris), skillfully blends icy, Krautrock-inspired electronica with retro-'80s synth pop. Opening with “Nightcall,” a moody, scene-chewing slab of Air and Röyksopp-induced electro-pop from French DJ Vincent Belorgay (aka Kavinsky), Drive rolls along on the strength of Martinez's spooky, Blade Runner-esque score, and cruises along effortlessly on a foundation of clock-like percussion, swooning synths worthy of an M83 album, and an independent spirit that tips its hat to nostalgia while careening over the guardrail into the future. - (via allmusic)

Click Here to listen to the full album